Wednesday, May 25, 2011

Black Film: Blood Ah Go Run

I saw this film when I first came to the UK, nearly 30 years ago.

I saw it again recently, with a Q & A with the director, Menelik Shabazz, when it was screened at the BFI as part of the African Odysseys programme.

Blood Ah Go Run (Blood Will Flow/Be Shed) documents events that took place in London in 1981 including the New Cross fire, the subsequent Black People’s Day of Action, and the Brixton riot.

The film records how the Metropolitan Police attacked and attempted to subvert the peaceful march on the Black People’s Day of Action, the first time Black people in the UK had demonstrated publicly in such numbers.

White British people and institutions must have been shocked when they realised the potential power of Black people in this country.

The Brixton riot followed two months later, sparked by the “Sus” laws and the police’s “Operation Swamp” in Brixton. To read more about this, click here for my blog about Mavis Best. See also my interview with Alex Wheatle.

In retrospect, I wonder what the authorities expected to happen – the actions of the police seemed calculated to provoke riot and unrest.

In the Q & A, Shabazz described what he called “guerilla filmmaking”. Film stock was expensive, so he had to beg and borrow partial reels of film on which to record this film. The footage of the riot was taken directly from TV coverage.

Shabazz also described how he went into the BBC studios after hours so that a colleague could edit the film.

Blood Ah Go Run documents a crucial point in British history and, as such, should be shown in every school.

See also: Next Black History Events.

Africa and Africans on Film.

2 comments:

Ralston Moony said...

Worth watching!

INSIDE OUT: BBC TV. POGUS CAESAR RETURNS TO HANDSWORTH, UK.

In 1985 tension and community discontentment escalated into the historical Handsworth riots that rocked Birmingham UK between 9th - 11th September 1985.

Birmingham film maker and photographer Pogus Caesar knows Handsworth well. He found himself in the centre of the 1985 riots and spent two days capturing a series of startling images. Caesar kept them hidden for 20 years. Why? And how does he see Handsworth now?.

The stark black and white photographs featured in the film provide a rare, valuable and historical record of the raw emotion, heartbreak and violence that unfolded during those dark and fateful days in September 1985.

http://youtu.be/Ey7ijaXv6UQ

Gregory V. Boulware said...

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